Monday, April 8, 2013

Game of Thrones: "Dark Wings, Dark Words" Review

Episode 22: "Dark Wings, Dark Words"
Original Air Date:  April 7, 2013.
Directed by:  Daniel Minahan.
Written by:  Vanessa Taylor.

Tonight's episode was full of dark forebodings and even darker intrigues, hence the title. And as we all know by now ... the Night is Dark and Full of Terror, too. Quite a few new faces were introduced as well, which I'm sure just made the heads of non-book readers spin mercilessly. Have heart, it will all start to make sense in the coming weeks. But for this week we got our hands on a particularly meaty feast of gritty fantasy goodness. Shall we dig in?


Brandon Stark has one of those freaky three-eyed raven dreams again while escaping north through the countryside with Osha, Hodor, Rickon and their direwolves, Summer and Shaggydog. Now what is that squawking bird trying to tell him? Along the way they meet brother and sister duo, Meera and Jojen Reed; the children of one of Ned Stark's closest friends and loyal bannerman, Howland Reed. Jojen claims he's possessed of the "greensight" and knows how to aid Bran in making sense of his own abilities, which apparently is why their father sent them to aid the Stark boys in their escape.

Over in Harrenhal where the King in the North has made his headquarters for now, Robb Stark receives word that his maternal grandfather, Lord Hoster Tully of the Riverlands, has passed away after a long illness. When his mother Lady Catelyn hears the terrible news, her grief is only magnified by the next bit of news: a raven's message from Winterfell, telling of that great keep's destruction and the missing whereabouts of her two youngest boys. The King later gets an earful from a mouthy Lord Karstark for taking some of his forces to Riverrun in order to attend his grandpappy's funeral, with the old man also expressing misgivings over the young wolf marrying Lady Talisa of Volantis. Perhaps he is referring to that pesky little promise Robb made to Lord Walder Frey back in Season One to marry one of his daughters in exchange for the Frey's help? Yeah, that. Could this fateful decision come back to bite the young, scruffy King in his you-know-what?

Somewhere in some undisclosed dark dungeon, that traitorous slime, Theon, is being rightfully put to the screws by unknown baddies. The young Greyjoy heir suffers traumatic pain as he is "questioned" again and again over his motive for taking Winterfell. Having no constitution at all for the finer points of torture, he spills it all. But this only delays his pain for another day. Later, a mysterious boy purportedly sent by his sister, Yara, sneaks in and tells Theon to be ready to flee in the night. The great fool readily latches on to this singular source of hope . . .

North of the Wall we find Jon Snow on the march with Mance Rayder and his wildling army. They come across a man staring up into the sky, his eyes whited over while an eagle soars over his head. His name is Orell, and apparently he is what's known as a "warg" in these parts--a person gifted with the ability to project his consciousness into the bodies of other animals. Through the eagle's eyes, Orell has spied the aftermath of the White Walker attack on the Fist of the First Men many miles away. Mance explains to Jon that this is why he has joined all the warring wildling clans together, a feat that would have been impossible were it not for the threat of what's to come as the cold of Winter deepens. It appears the wildlings are not planning to attack the Wall for the sake of defeating the southrons alone. They're heading for the Wall to escape a surer death back at home!

Much further south, we finally discover what's been going on with our merry travelers, Jaime Lannister and Brienne of Tarth. As Brienne continues to lead her prisoner through every backwater road in the Seven Kingdoms, the Kingslayer naturally fills in the time with constant chatter in an effort to throw the hulking lady knight off her guard. When he finally succeeds, the two engage in an epic battle of steel, with Brienne eventually overcoming her foe due to his great fatigue and shackled form. But alas, the fracas has attracted the wrong attention. They are beset upon by men carrying the flag of the Dreadfort--Lord Roose Bolton's sigil. Looks like Catelyn Stark's gamble failed to pay dividends. Poor Sansa!

And speaking of the eldest Stark daughter holed up in King's Landing ... Sansa meets with Margaery and Loras Tyrell's grandmother, Lady Olenna Redwyne--a.k.a., the "Queen of Thorns." Matriarch and force to be reckoned with inside House Tyrell, Lady Olenna's reputation precedes her as a rather cunning master of politics. It seems the shrewd old dame has accompanied her grandchildren to court to, among other things, ensure that the wedding match agreed upon between Margaery and Joffrey is in the up and up. To that end, the Queen of Thorns questions Sansa as to Joffrey's suitability, but not before buttering up the young lass with compliments and, of course--lemon cakes! Alas, poor Sansa has been too long without caring companionship, and perhaps misses her mother terribly. So much so that she reveals a little too much of just what a spoiled tyrant King Joffrey really is. This news doesn't seem to surprise Lady Olenna, who probably already suspected as much but only wanted to discern Sansa's character for herself. Whatever the case, something tells me Sansa opened her mouth a little too wide for the promise of a single lemon cake!

Armed with this knowledge, Margaery Tyrell arrives at Joffrey's chambers ready to secure her place by the King's side, for better of for worse. She flatters him on his prowess with mechanical stringed weaponry, and plays up to his sadistic side by hinting that she herself would enjoy hunting something and watching it die. The gleam in Joffrey's eyes is that of a deranged lunatic meeting his soulmate; while the smile on Margaery's face is that of a cat who just swallowed the proverbial canary. These two may just be a match made in heaven.

And finally we come upon the fate of Arya Stark and company, who seem to have leaped out of the frying pan and into the fire. After getting lost in the woods somewhere north of Harrenhal, the trio stumble upon the same Brotherhood Without Banners that Tywin Lannister had charged The Mountain with apprehending last season. The mercenary band, led by the legendary Thoros of Myr, has been harrying Lannister troops ever since King Robert's death. A motley bunch, they nonetheless allow Arya and her friends to supp with them before continuing on their journey. But wouldn't you know it? Just as Arry is about to set off and perhaps run into her brother Robb (who's not far away now), some mercenaries bring in a hooded and very tall prisoner. Could it be The Mountain captured at long last? Nope, it's the next best thing--his brother, Sandor "The Hound" Clegane! And Clegane recognizes the little girl attempting to slip by without attracting notice. Too late. The Hound's got her scent, and he never lets go of a scent! What will the Brotherhood do now with such an important bargaining chip like Ned Stark's youngest daughter in their grasp? Time will tell.


I'm impressed. This episode was better written than even the last. And that's saying a lot. Kudos to scribe Vanessa Taylor for pulling some very important and tough scenes, as I was not sure how some of these finer points were going to come across. My absolute favorite scene this go 'round was the one between Catelyn Stark and her son's new bride, Talisa. What could have turned out to be a very cliched and ridiculous scene between two strong-willed women ended up being one of the most poignant looks into a mother's love and a woman's pride I've ever witnessed on television. Wow! Another very powerful scene was the meeting between Sansa and the Queen of Thorns. Superbly done, superbly acted, and so many different layers of intrigue, subterfuge, and plotting interwoven into what, at first blush, appears to be nothing more than a friendly chat between a grandmotherly type and a young lady still fresh to the world. But rest assured, much more is going on beneath the surface. This is the type of drama we expect from Game and Thrones and HBO. My applause to all involved.

The Good.

First off, how did you all like the legendary Diana Rigg portraying the ever fiesty and ornery Lady Olenna? Is she not just AWESOME?!!! I also like the casting for the two Reed children. Haven't seen Thomas Brodie-Sangster since he was Liam Neeson's cute little drummer son in Love Actually, but he does a very commendable job remaining enigmatic yet likable. Ellie Kendrick as Meera Reed also seems quite up to the role. Can't wait to see more of her in future episodes. The Reeds are a very important presence in the series for Bran's development. In other words, this is just my way of repeating what I said last week: the new additions to the cast this year ROCK!

Lots and lots of creepy foreshadowing going on here. Ooooh! I really, really dig this. Bran's dreams and Osha's spooked nature over same; Catelyn's guilt that her treatment of Jon Snow--her husband's illegitimate love child--all these years may be the reason why her actual children are suffering lately; some of Robb's men beginning to question his decisions; the Queen of Thorns taking perhaps an unhealthy interest in Sansa; Margaery revealing just how good she truly is at courtly intrigue; and let us not forget, of course, the spookiest of them all--Sandor Clegane having the "good fortune" to run into Arya, of all people. Some of you may be wondering what he's doing so far North. If you recall, after dissing Joffrey to his face last season, The Hound had to beat a rather hasty departure from the capital if he wanted to keep his head on his shoulders for a little while longer. These loaded scenes are what I live for on this show!

I'm actually glad we didn't have any Stannis or Daenerys scenes this week. Those are probably the two plot lines I'm least invested in at this moment. Perhaps this shall change the further into the season we go. I still like them, don't get me wrong. But all my faves were represented this episode, and that makes me a happy reviewer.

As I pointed out last week, it seems The Powers That Be are making a conscious effort to answer the critics complaints and make scenes longer and more focused, rather than eclectic and spread about all over the place. Or, as frequenter commenter to this blog, Rodney, pointed out last week: perhaps the writers are just getting that more confident in their understanding of the material? Perhaps. Either way, these scenes really pack a lasting punch!

The Bad.

I'm a little unsure why they chose to leave Theon's jailer anonymous at this point. It's pretty obvious who's the only person that would have him right now. The matter was discussed openly last season, after all. In several episodes. Nonetheless, I chose to play along and not name any names until I see where this is going. Or until HBO reveals it themselves. Not such a big secret, tho.

This episode is showing hints of the production moving further and further away from the books. We knew it had to happen, and for the large part I'm okay with this. If I want to read the books, I'll read the books. I'm only placing this bit under my "Bad" list because it makes me a little worried that the writers might back themselves into a corner regarding certain plot lines that continue even to this day in the books. I wish I could say more, but these reviews are meant to be spoiler free for those who have not read the novels.

Those lemon cakes made me seriously hungry! Where do I find lemon cakes? Mean HBO, mean! For not offering them at your store!

The Ugly.

Rast picking on poor, hopeless Sam. I hope that condemned rapist turd gets what's coming to him soon, if you get my point ...

Lasting Impressions.

A very, very fine episode again. Lots of talking, yes, but also a bit more action. That furious duel between Brienne and Jaime paid for the price of admission alone. But boy did it leave me feeling sore afterward. And, d'oh! What are those men who came upon them on horseback up to? They're supposed to be allied with the North, but something doesn't feel right with that lot ...

Grade:  B+

Favorite line:  "I don't know, your grace. Do you think I could?"

Season 3 reviews:
Episode 21:  "Valar Dohaeris"
Episode 22:  "Dark Wings, Dark Words"

Season 2 recaps (Episodes 11 through 20).
Season 1 recaps (Episodes 1 through 10).


  1. Natalie Dormer, aka Margaery Tyrell has just been tapped to play Irene Adler in "Elementary"!!

  2. *Yawn* I don't watch that show. I'm a little tired of all the Sherlock Holmes mania as of late. And that's saying a lot coming from such a huge fan of the original texts as myself. The Granada television series back in the 80s and 90s was fantastic and had my full adoration. The modern take on BBC's Sherlock was a novel twist and so superbly well done that I went along with it, too. And I even, begrudgingly, gave my approval to the Guy Ritchie movies at long last. But yet another tv show with a modern take? Eh, no thanks. Give it a rest already, people!

    Plus, I'm not a fan of Lucy Liu.

    Plus, I'm not a fan of Natalie Dormer. Granted, she's surprised me on Game of Thrones as I actually find her very interesting in that role, but I've had a strong dislike of this actress ever since The Tudors.

  3. Once again, we're in total agreement! I know your memory of the books is more solid than mine but I do remember some stuff and I just cannot WAIT to see where they're going to take some things. I know George is keeping a keen eye on it 'cause the wrong departure could seriously mess things up down the line as far as the show goes, but I'm sure they're on top of it.

    Also not a big fan of Natalie but I do think she's doing a pretty good job as Margaery. Her manipulation of Joffrey was superb! The Queen of Thorns was just too cool. And I'm very curious how they're going to play out the Arya and Hound storyline. Can't wait!

  4. Yes, T -- without giving too much away, I must admit I've been waiting a long time to see Arya + The Hound. But I think we might have to wait until Season 4 for that bit. It's hard to tell, since the producers are moving certain storylines around; some will get pushed up, while others pushed back.

    Either way, it's going to be awesome whenever we get it! :)

  5. Those sneaky Tyrells are a clever lot.


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